How to Upload Patches to Line6 Pod Hd500x
Ambience – Line 6 POD HD500x Patch
Full of delays and reverbs – our Ambient patch will allow you to create beautiful swells and ambient guitar piece of work.
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In the video below, all the guitar sounds were used using this ambience patch.
Suggested Price: $0.99
- Description
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Clarification
Signal Chain and Footswitch Assignments
- Volume Pedal (Exp. 2)
- Synth-O-Matic (FS1) – Used for single annotation swells, it creates a deep tone and has some really cool sound when it hovers in the mix of an ambient loop.
- Ping Pong Filibuster (FS2) – This delay is a pretty violent one, I get out information technology on for all the swells. It actually drags out the sound of the guitar and has some cool droning aspects to it also. Whatsoever kind of pb stuff, while using this patch, you more likely will desire to turn this effect off.
- Multi-Head Delay (FS3) – This is a nice subtle delay that adds depth to the sound.
- Analog Delay w/Mod (FS4) – My favorite, dotted 8th note delay! I pretty much leave this on for everything. Tap the bpm in to the song on the tap tempo and have some overnice chugs on the guitar mixed with the dotted eighth note filibuster and yous're basically "the edge" from U2.
- Particle Verb (FS6) – We put this particle verb in front of the other reverbs because information technology creates a sound dampening effect and allows yous to really commencement to play using dynamics. Do some fast double picking with this while you swell into a note and everyone will think yous're the greatest thing since sliced bread. It's a very cool manner to look at reverb, information technology can get out of hand then really play simple and build from at that place.
- Hall Reverb (FS7) – The hall verb is pretty depression in the mix so that you don't have also much of a digital sound. This is an ambient patch, but we have found that if you utilise too much delay and reverb, it becomes a huge wash (which is absurd for some things) and that isn't always the sound you're going for. Little is much more. Always strive for that "organic" audio when coming to peachy patches and ambient tones.
- Octo Verb (FS8) – This is a vivid reverb. It adds some really absurd undertones to the mix. it's set pretty depression then that it doesn't exit of command.
- Amp (Form A-fifteen) – This is modeled after the "VOX Air conditioning-15"
Usage
This patch is made for ear sensory overload. This patch is made to brand the masses drool as they listen to it, whilst yous're sitting there saying, "Yeah, I did that, I'm awesome, I'one thousand the best" (to yourself, of course…don't desire people thinking y'all're an egotistical narcissist).
In all seriousness this patch is made to really add together dynamics to the worship set. It is very good for transitions and behind prayer. We have found that on slow songs it is extremely useful, depth is everything in worship and for ambience styles of music. Make sure you are in control of the sound, don't let the effects be in control of information technology. Play simple things and add to it in layers. Picayune will get a very long way with this patch.
Swells
Some of yous are reading this and may accept no idea what nosotros are talking about when the discussion "swell(southward)" is used. It's a very piece of cake concept to grasp and one of the almost used techniques in ambient and worship music.
It is simple. Have your volume pedal in the OFF position or DOWN position and strum a chord or note and correct after y'all strum that tone "Peachy" the sound into the mix. You are controlling the book of the note from 0 percentage sound to 100 percent sound (or your desired level of sound).
Reverb
These reverbs, in our stance, clash very well. They also sound fantastic without each other as well. Pregnant that you take a range of reverberation sounds and you're not limited to just that one audio that sounds good. They all audio excellent by themselves and together, that is the way we designed this patch. Very versatile.
Delay
The delays on this patch are all over the place, simply that'southward what makes it beautiful. I used the dotted 8th delay, not only considering it's my favorite, but for a base of operations sound. You tap the tempo in for the dotted 8th and then add in the other delays for very rhythmic sounds. Play effectually with them and get used to them earlier yous discard them, stride outside of your box.
Amp
The amp is set pretty muddy and with heavy bass. Nosotros did this because it is the but overdrive sound on the patch. We have found that information technology is very dynamic to how you play it. Meaning, if you lot strum hard it plays a thicker or more distorted audio and when you strum lightly it is less of the distorted sound causing sweet clean tones to run about the mix.
Tweaking the patch for your guitar and needs
One affair we've noticed about the POD is that the patches can exist very sensitive to different guitars and pickup types. We created this patch with an MJT Thinline Tele style guitar with vintage tele pickups. If you're playing a Strat, Les Paul, or even other std Telecaster, you lot may need to tweak this patch to get it sounding best.
We starting time recommend making a re-create of the patch, and so editing the copy. Start with the amp settings. Make sure the drive is set and then that the amp merely barely breaks up if you play really hard. From there, alter the EQ to your taste and to your room. The other settings should be fairly universal.
Finally, change the footswitch assignments so they fit your needs and your playing style.
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Source: https://worshiptutorials.com/product/ambient-line-6-pod-hd500x-patch/
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